
May 15 · 7pm
MAM After Dark: The Blue Room
feat. Live jazz musicians
Milwaukee Art Museum
Jazz, art, and intrigue blend at the Milwaukee Art Museum's atmospheric night event.
See details
Jazz trio in an intimate venue — feel the groove and unity.
Part I
About this event
The Mai Sugimoto Trio brings a fresh take on jazz to Woodland Pattern, offering a performance that emphasizes connection and community over sheer virtuosity. Sugimoto, known for her innovative approach to saxophone and flute, leads the trio with a style that blends her Japanese roots with the American jazz tradition.
Joining her are Joshua Abrams on bass, a staple of Chicago's creative music scene, and Isaiah Spencer on drums, known for his fiery and propulsive style. Together, they create an immersive
From the organizer
Alternating Currents Live presents Mai Sugimoto Trio featuring Mai Sugimoto—alto saxophone and flute Joshua Abrams—bass Isaiah Spencer—drums "The trio manages to channel something ineffable in the recording situation, letting feel and groove take over. This is community music that is more about connection than virtuosity—which is surely present, but never ostentatiously so. . . . It conveys that singular joy of good improvised music, when it’s not about ripping solos but group unity. Naturally, I’m advising you all to pay close attention to Sugimoto from here on out." —from Peter Margasak, a long-time music journalist who has also programmed the weekly Frequency Series at Constellation in Chicago since 2013, on the trio’s Sunlight Filtering Through Leaves (Asian Improv Records, 2024) Mai Sugimoto is a saxophonist, composer, and active member of Chicago’s jazz and creative music scene. Born/Raised, her debut album (Asian Improv Records, 2018), explores this cultural and musical binary, juxtaposing her Japanese upbringing with the American jazz idiom. Her first solo album, monologue (Asian Improv Records, 2021), was reviewed by Brad Rose of Foxy Digitalis, who writes, “Sugimoto’s skill is boundless as she can jump between different ideas while stitching them together with a common material thread. It’s music that demands attention and must be felt to be heard.” Joshua Abrams is a composer, bassist, and improviser. His early formative musical experiences include performing in a chamber group conducted by Earle Brown, and busking in Philadelphia as an original member of The Roots. Since the mid-1990s, Abrams has been a key figure in Chicago’s creative music communities and has toured with artists across genres. In 2010, he formed the project Natural Information Society (NIS), a group that creates long-form psychedelic environments. He has toured North America and Europe extensively with NIS, and recorded four albums with them on the eremite label, and one with Delmark. Abrams has released Excavations, a solo acoustic bass album (Feeding Tube Records, 2018), and he has appeared on over 100 recordings, including those by Bonnie “Prince” Billy, David Boykin, Hamid Drake, Nicole Mitchell, Roscoe Mitchell, Mike Reed, Matana Roberts, and Town and Country. His performances include work with The Fred Anderson Trio, Peter Brötzmann, Rhys Chatham, Toumani Diabaté, Jandek, Joe McPhee, Evan Parker, Jeff Parker, William Parker, Ballaké Sissoko, and Damo Suzuki. Isaiah Spencer was born in Chicago, and with his edgy style and innovative beats, jazz and blues drumming he has carved out a unique reputation in Chicago and beyond. Critics have called his sound propulsive, fiery, and incendiary. Since 1998, Isaiah has been an active figure in the Chicago scene, while being recognized as one of the young lions like his counterparts and childhood friends Maurice Brown, Corey Wilkes, and Kevin Nabors. His musical prowess and versatility has led him to musicians such as Fred Anderson, William Parker, Ernest Dawkins, and David Murray, as well as more traditional figures including Clark Terry, Von Freeman, Curtis Fuller, and George Freeman. Isaiah now leads the Isaiah Spencer sextet, which has become a local favorite at the Velvet Lounge where they have been performing every Sunday since the re-opening in 2006.
Getting in
Tickets available online
Drop-in or register — either works
Pro tips
The nearest bus stop is a 5-minute walk from Woodland Pattern. Check the schedule as buses run less frequently after 9pm, so plan your return trip accordingly.
Who'll Be There
Local music aficionados and artists from the jazz and experimental scenes, along with supporters of the performers. Expect a mix of ages, primarily adults who appreciate live music in a community setting.
Part II · The feel
The details organizers don't always put in the description — pulled from the room, the crowd, and what people remember afterward.
Dim and seated throughout. Intimate, slow-paced.
Audience-shaped. You watch; the room is not here to talk to you.
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