Dylan LeBlanc's haunting voice and introspective lyrics make for an unforgettable night at Shank Hall.
Dylan LeBlanc is set to captivate audiences at Shank Hall with his unique blend of Americana and indie rock. His latest album, 'Coyote,' showcases his ability to weave personal stories with universal themes, all delivered with a voice that resonates deeply. This performance promises to be a journey through LeBlanc's nomadic life, filled with tales of survival and introspection.
Shank Hall, known for its intimate setting and excellent acoustics, is the perfect venue to experience LeBlanc's storytelling. Arrive early to secure a good spot and immerse yourself in an evening of music that speaks to the soul. With a lineup of talented session players backing him, this concert is a must for fans of genuine, heartfelt music.
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Parking at Shank Hall can be tricky. There's a small lot behind the venue, but it fills up fast. Street parking on Farwell Ave is metered until 6pm, so arrive early to snag a spot.
Shank Hall is an intimate venue with limited seating. Arrive when doors open at 7:00 PM to get a good spot close to the stage, especially if you prefer standing room.
Dylan LeBlanc is a singer-songwriter and multi-instrumentalist who often finds himself flirting with the edge — or “dancing on a razor,” as he calls it — as it is all he has ever known. A verdict vagabond since he was a little boy tossed between Texas, Louisiana and Alabama, LeBlanc thrives on the precipice, never staying in one place for too long. It is that nomadic spirit that drew him not only to a life as a touring musician, but also to the beast that titles his newest record: ‘Coyote.’ LeBlanc says he has always related to the insatiable, scavenging nature of the wily coyote. Much like the animal, LeBlanc is a wanderer who knows when to trust his instincts, musically and otherwise. It is a spiritual kinship that runs deep, but he credits one particularly hair-raising face-to-face instance with solidifying his bond with the animal. LeBlanc was in Austin, Texas, climbing the face of a 100-foot cliff, gambling with Mother Nature’s good graces as he pulled himself up by tree branches. Once he reached the top, all that laid ahead of him was a lush treeline. There was a breath of stillness, then the sound of a thunderous rustling that drew closer and closer to him. In a blink, LeBlanc watched as a frenzied raccoon came speeding out of the treeline, trailed by an animal that stopped and stared at him with striking intensity: a coyote. “We’re looking at each other dead in the eyes…and I’m saying — out loud — ‘If it’s you or me, I am going to kick you off the side of this cliff. I’m not going down.’ It was intense, this human-animal moment,” LeBlanc recalls. “I’ve never forgotten that… he was just trying to survive and so was I.” ‘Coyote’ is LeBlanc’s first self-produced release, boasting a cherry-picked lineup of what he calls “killer session players,” such as drummer Fred Eltringham (Ringo Starr, Sheryl Crow), pianist Jim “Moose” Brown (Bob Seger), and bass player Seth Kaufman (Lana Del Rey). Though ‘Coyote’ covers familiar ground for LeBlanc of living on the edge of danger and its many consequences, the record is both autobiographical and a concept album built around the character of Coyote, a man on the run.
